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See AllThe World Is A Beautiful Place & I Am No Longer Afraid To Die Announce New Album ‘Dreams of Being Dust’
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See AllMotion City Soundtrack Announce New Album ‘The Same Old Wasted Wonderful World’ Out Sept. 19 Via Epitaph Records Share Music Video To Lead Single “She Is Afraid”
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Mamalarky
In making their third record, Hex Key, Mamalarky spent entire seasons hunched over guitars and obscure synthesizers, their long hair sweeping over strings or covering concentrated eyes. The band recorded takes in between the sounds of passing ice cream trucks and yowling stray cats in their LA home studio, a tight but prolific living room. Hex Key is a document of perseverance, of going for the gold while somehow remaining totally aware of one’s own vulnerabilities. These effervescent, swirling songs chronicle vivid desires crashing against real-life limitations but finding a way to keep burning anyway. That tension between anguish and resilience, between performed aloofness and brutal honesty, drives the music, imbues it with a compelling intensity. Over the last 8 years, the quartet’s members have lived in Austin, Atlanta, and Los Angeles, and have established a bond that they acknowledge is rare. “We have an unmatched level of trust in each other,” drummer Dylan Hill says. “There is no air of professionalism. It's literally just four friends hanging out and getting to the bottom of something.” Given their closeness, Mamalarky are able to fight like family, not necessarily with each other, but for the music, to make it the best it can be. Whereas their last album, Pocket Fantasy, was exploratory and free-flowing, the songs on Hex Key are the result of absolute devotion and fine tuning. It’s the kind of attention to detail that can only happen when the four bandmates are working alone together, uninterrupted by producers, engineers, or any outside influences. “It’s never ‘kick your feet up, let’s see what happens,” guitarist and singer Livvy Bennett says. “We’re always staring each other deeply in the eyes saying ‘Let’s make this next take incredible.’ We never settle.” The band is so committed to their craft that Hill even recorded the drums for “#1 Best of All Time” amidst an intense bout of poison ivy. The determination he felt in the moment manifested itself in the song’s frantic-but-focused percussion, he says.
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Adult Mom
May we all live long enough to savor our revenge. Since the release of their debut album a decade ago, indie-rock quartet Adult Mom has wholeheartedly grappled with pain, frustration, and disillusionment, all while offering koans to hopeful resilience. On Natural Causes, their fourth album, they embrace a new emotional register: rage that burns so bright you can light your way by it. Stevie Knipe, the group's principal songwriter and lead vocalist, wrote the songs on Natural Causes from 2020 to 2023 during a period of both global tumult and personal upheaval. The album arrives in the wake of Knipe undergoing intensive treatment for cancer in their late twenties, an experience that brought them into direct confrontation with their own mortality. As they started writing songs from that vantage, they found they could stare down difficult memories of abuse and toxic relationships with a new ferocity. "Feeling like you’re a prisoner in your own body to medical professionals makes you very sad, but also very angry. There were nights where I would have full tantrums. I felt like a 13-year-old just from the pure anger of it," says Knipe. "You revert to this childlike state of, This is not fair! It unlocks those other moments in your life when you were like, This is not fair." Though Knipe has been out as queer and non-binary since Adult Mom's debut, their relationship to their identity, like many queer artists', has evolved and revealed itself in long waves. They came out as a lesbian after writing Adult Mom's lauded 2021 album Driver, and many of the songs on Natural Causes cut through the knots of compulsory heterosexuality and coerced gender normativity. Getting more deeply in touch with your own queerness can feel liberating and thrilling; it can also thaw out oceans of anger you never knew you had from all the times you had to stay alienated from yourself to survive. "Thematically, I got more comfortable with getting darker," says Knipe. "I knew there were things I wanted to explore that I didn’t get to on Driver, like the traumatic side of trying to unravel all this learned straightness. There were things happening interpersonally where I was like, OK, now I need to really tackle the tough parts of this process."